By Tom Holt
Historical past tells us that during 69AD, on the ripe outdated age of 32 and on listening to that basic Glaba's forces have been final in, Nero fled his palace in Rome. He stabbed himself within the throat with a pen and used to be trampled to dying by means of horses in a muddy ditch. His final phrases have been, 'What an artist dies with me'. yet there's one other probability: Nero didn't die in that ditch, yet an individual who seemed greatly like him did. this offers Nero the chance to begin a brand new lifestyles in pursuit of his old flame: song. yet there's an issue - Nero is being pursued by way of those who have cause to suspect he's nonetheless alive - one desires him lifeless, the opposite is a passionate fan of his dreadful tune and needs his genius regarded ... Tom Holt is an leading edge, demanding and fantastically unique author of historic fiction. NERO is key analyzing for all enthusiasts of Tom Holt and old fiction.
Paperback: 576 pages
Publisher: Abacus; New Ed version (15 Jan 2004)
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Additional info for A Song for Nero
He was bareheaded, blond, and clean shaven, with a blooming fresh-skinned face that scarce needed a razor. " He glanced again at Jacob Pole, this time unhappily. Darwin gazed up at the earnest face. The youth was well dressed and healthy, but there was a certain stolidity of manner and dullness to his eye. "You may speak before Colonel Pole as you would before me. His discretion is absolute. " The young man was startled. "Or at least, sir, it is, but not my own. " Darwin pursed his full lips and gestured to the seat vacated by Joseph Faulkner.
After the accident the man was lovingly cared for, and the doctors of these parts did all they could, but there was no progress in his condition. At last, despite daily exercise of muscles and the best food that could be found, he began to weaken, to show signs of worsening. More expert advice and medical attention seemed to be the only hope. " said Maclaren. He sighed and walked over to the door. A few words of Gaelic, and a file of somber men and women came into the room. Each went to the bed, knelt there for a moment, then moved back to stand by the wall.
You followed the first rule of successful deception: build upon what is real, and invent as little as you must. But you went too far, with a double lure, of great treasure and of a fantastic animal. The beast in Loch Malkirk would have been sufficient to bring me here without further embroidery, but you could not have known that. " Maclaren smiled ruefully. "It worked. Ye came here, an' that was a surprise to me. " "Your plan went astray not in outline, but in detail. You had hired good actors, that was necessary, and they were well grounded in their roles—enough to convince Dr.
A Song for Nero by Tom Holt