Download PDF by Ann Gaylin: Eavesdropping in the Novel from Austen to Proust

By Ann Gaylin

ISBN-10: 0511042604

ISBN-13: 9780511042607

ISBN-10: 0521815851

ISBN-13: 9780521815857

This learn investigates human interest and its depiction in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin sheds mild at the social and mental results of the nineteenth-century upward thrust of knowledge know-how and sped up stream of knowledge, as manifested within the anxieties approximately (and savour) screens of personal lifestyles and its secrets and techniques. She analyzes eavesdropping in Austen, Balzac, Collins, and Proust. This leading edge learn is of curiosity to students of nineteenth-century English and eu literature.

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Lydia’s exclamation to Sir William when he announces his daughter’s engagement to Mr. ” (). The reader of Pride and Prejudice, “a studier of character” like Elizabeth Bennet (), could equally declare about many of the characters, “I hear such different accounts of you as puzzle me exceedingly” (). The reader, too, finds himself or herself in the position of making judgments about characters and situation, and of trying to anticipate marriages and endings. Conversation comprises a direct, unmediated form of communication between two individuals.

Lydia’s exclamation to Sir William when he announces his daughter’s engagement to Mr. ” (). The reader of Pride and Prejudice, “a studier of character” like Elizabeth Bennet (), could equally declare about many of the characters, “I hear such different accounts of you as puzzle me exceedingly” (). The reader, too, finds himself or herself in the position of making judgments about characters and situation, and of trying to anticipate marriages and endings. Conversation comprises a direct, unmediated form of communication between two individuals.

Her conversation with Wickham confirms Elizabeth’s premature judgment. She is the misled reader whom Barthes constructs in his reading of Sarrasine: the one who falls into all the traps, or “snares,” erected for him or her, in the same way that the artist in Balzac’s tale misjudges characters and situations. ” Wickham’s narration extends the partial transmission of information and resulting incorrect narrative that Elizabeth’s eavesdropping began. Eavesdropping in Pride and Prejudice not only prolongs the story of Elizabeth and Darcy; it also triggers other stories and narrative complications.

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Eavesdropping in the Novel from Austen to Proust by Ann Gaylin


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