By Tim Edensor
In "Rhythmanalysis", Henri Lefebvre recommend his rules at the dating among time and area, relatively how rhythms represent house. right here, best geographers increase and extend on Lefebvre's theories, reading how they intersect with present theoretical and political issues in the social sciences. when it comes to geography, rhythmanalysis highlights tensions among repetition and innovation, among the necessity for consistency and the necessity for disruption. those tensions exhibit the ways that social time is controlled to make sure a degree of balance throughout the instantiation of temporal norms, while whilst exhibiting how this is challenged. In the rhythms of geographies, and drawing upon a variety of geographical contexts, this e-book explores the ordering of alternative rhythms in response to 4 major topics: rhythms of nature, rhythms of daily life, rhythms of mobility, and the legit and regimen rhythms which superimpose themselves at the a number of rhythms of the physique.
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Extra info for Geographies of Rhythm
The analysis of rhythms attempts to capture the temporal and lived character of space. Similar to an orchestra that builds a symphony from different instruments, each one playing its own tune to its own rhythm, we can imagine an urban environment in which the interplay of multi-layered perceptions (the tune) and different intensities of these (the rhythm), create a sense of place. For Lefebvre, there are many different rhythms in the city, from the flows and stops of car and pedestrian traffic to the more subtle rhythms of the changing seasons or the body’s individual cycles.
8) intervene with and are compromised by the ‘linear repetitive’, the time of social practice. For Lefebvre, the establishment of a commanding linear rhythm is the key to establishing dominance: Objectively, for there to be change, a social group, a class or a caste must intervene by imprinting a rhythm on an era, be it through force or in an insinuating manner. (14) If, in our time, the ‘linear tick-tock’, the time of social practice, is moving from the mechanical temporal progression of commodity capitalism to that of the digital clock and information and knowledge exchange, tracing new patterns of organisation becomes politically charged.
To understand how urban change produces new sensuous geographies there are two particular rhythms one needs to pay attention to; firstly, rhythms in terms of activity/movement and secondly, sensuous rhythms that relate to our embodied, sensory experiences of place. Activity rhythms are created by the daily movements, everyday, repetitive spatial practices: the coming and goings of people to and from work, the rush hour traffic, lunchtime breaks, the garbage men collecting rubbish, that Jane Jacobs (1961) famously describes as a ‘sidewalk ballet’.
Geographies of Rhythm by Tim Edensor