Download e-book for iPad: Kunst und Öffentlichkeit by Dagmar Danko, Olivier Moeschler, Florian Schumacher

By Dagmar Danko, Olivier Moeschler, Florian Schumacher

ISBN-10: 365801833X

ISBN-13: 9783658018337

ISBN-10: 3658018348

ISBN-13: 9783658018344

Kunst steht im Zentrum der Öffentlichkeit: Skulpturen, Installationen, Interventionen und Happenings im städtischen Raum; bestehende oder geplante prestigeträchtige Kunst- und Kulturhäuser; öffentliche Dispute um Kunst und Kultur als mögliche Akteurinnen oder Außenseiterinnen von sozialen, politischen, ökonomischen und digitalen Revolutionen; Kunstwerke und Kulturinstitutionen als Projektionsfläche für das verheißungsvolle Versprechen von mehr Demokratie, sozialer Kohärenz oder politischer Neuerungen – Kunst wird heute, vielleicht mehr denn je, öffentlich ausgestellt und exponiert, diskutiert und kritisiert, hofiert und idealisiert. Die Beiträge dieses Bandes untersuchen dieses Phänomen anhand verschiedenster Analyseansätze und am Beispiel unterschiedlicher Kunstsparten.

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Extra resources for Kunst und Öffentlichkeit

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Macht der Öffentlichkeit – Öffentlichkeit der Macht. Baden-Baden: Nomos, S. 25-37 Bürger, C. (1980) Literarischer Markt und Öffentlichkeit am Ausgang des 18. Jahrhunderts in Deutschland. /Schulte-Sasse, J. ) Aufklärung und literarische Öffentlichkeit. Frankfurt a. : Suhrkamp, S. 162-212 Deitelhoff, N. (2009) Deliberation. /Lafont, C. ) Habermas-Handbuch. Stuttgart: Metzler, S. 301-303 Fraser, N. (1996) Öffentlichkeit neu denken. Ein Beitrag zur real existierenden Demokratie. In: Scheich, E. ) Vermittelte Weiblichkeit.

Auf Grundlage eines ökonomischen Gesellschaftsmodells zahlreicher Kleinproduzenten wurde jedoch davon ausgegangen, dass durch »Tüchtigkeit« und »Glück« jeder den Status eines Eigentümers erlangen und damit die Zulassungskriterien zu Öffentlichkeit (Bildung und Eigentum) erfüllen konnte (Habermas 1990: 158). Auf diese Weise stand Öffentlichkeit dem Prinzip nach nicht in Frage. Konstitutiv für die Entwicklung einer politischen Öffentlichkeit ist eine spezifische Kommunikationsform: das öffentliche Räsonnement.

Zwar findet in den Kaffeehäusern keine direkte Politisierung der literarischen Unterhaltungen statt; eine politische Dimension des literarischen Räsonnements zeigt sich stattdessen über den Umweg der Moral, denn die literarische Debatte wirft die Frage nach den Bedingungen einer besseren Lebenspraxis auf (Hohendahl 1985: 135). ). Die wissenschaftliche Diskussion um Öffentlichkeit beschränkt sich zumeist auf die aufklärerische Idee kritisch-rationaler Diskurse – diese war im Öffentlichkeitskonzept der Aufklärung jedoch stets auf die literarische Öffentlichkeit bezogen und umgekehrt (Schulte-Sasse 1980a: 17).

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Kunst und Öffentlichkeit by Dagmar Danko, Olivier Moeschler, Florian Schumacher


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