Paris-Amsterdam underground : essays on cultural resistance, by Christoph Lindner PDF

By Christoph Lindner

ISBN-10: 9048518202

ISBN-13: 9789048518203

ISBN-10: 9048518210

ISBN-13: 9789048518210

ISBN-10: 9089645055

ISBN-13: 9789089645050

The postwar histories of Paris and Amsterdam were considerably outlined via the inspiration of the “underground” as either a cloth and metaphorical area. interpreting the underground site visitors among the 2 towns, this booklet interrogates the countercultural histories of Paris and Amsterdam within the mid to late-twentieth century. Shuttling among Paris and Amsterdam, in addition to among postwar avant-gardism and twenty-first century worldwide urbanism, this interdisciplinary publication seeks to create a mirroring impression over the inspiration of the underground as a driver within the making of the modern eu city.


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Christoph Lindner's Paris-Amsterdam underground : essays on cultural resistance, PDF

The postwar histories of Paris and Amsterdam were considerably outlined by way of the proposal of the “underground” as either a cloth and metaphorical area. studying the underground site visitors among the 2 towns, this publication interrogates the countercultural histories of Paris and Amsterdam within the mid to late-twentieth century.

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Additional info for Paris-Amsterdam underground : essays on cultural resistance, subversion, and diversion

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With the metro series Dubuffet finds an entrance into more experimental work, stocking up ideas experimented in linear drawing that will later be translated into painting. 6. Jean Dubuffet. Plate 8 of Jean Paulhan’s La Métromanie ou les dessous de la capitale. Lithograph on paper, transferred to stone (1949). metromania or the undersides of painting 31 Hubert Damisch, playing with words in an essay from 1985, called his entrance into another form of underground, far more organic and topographic.

The sexual revolution was a kind of Gesamtkunstwerk (unitary work of art) and resembled the ‘unitary urbanism’ of the Situationists (Pinder 128-30). It embraced all sexual orientations and included media, arts, literature, pop music and ways of dancing, social movements, novel types of spirituality, experiments with body, gender, and sexuality, communal and squatted housing projects, drugs, and a critique of traditional politics and religion. Dutch culture dramatically changed in a short period.

Dubuffet shared this interest in Art Brut with a group of writers that included Paulhan alongside André Breton and Henri-Pierre Roché, and he federated this enthusiasm by creating in 1947 the Foyer de l’Art Brut in order to collect funds and administer the growing collection he was compiling. Paulhan was one of his early companions in this. The pair traveled across Switzerland in 1945 during an early research trip that the writer recounted in a short book, Guide d’un petit voyage en Suisse. While the term ‘Art Brut’ does in no way apply to Dubuffet’s own production as is sometimes wrongly assumed, Art Brut did constitute for him the ideal model of an art driven – as Damisch has put it – by ‘inner necessity’.

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Paris-Amsterdam underground : essays on cultural resistance, subversion, and diversion by Christoph Lindner


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