By Anthony D. King
Representations of the town have more often than not all in favour of city dichotomies equivalent to renewal or decline, poverty or prosperity, and politics or tradition. those simplistic portrayals depart many primary questions unanswered. What constitutes a urban? What pictures and discourses are used to build it? What makes urban dwellers prevail or fail?
Discussing fresh visible, architectural and spatial variations in long island and different significant international towns in terms of the subjects of ethnicity, capital, and tradition, Re- offering town strikes among interpretative representations of the newly rising city and the theoretical and methodological questions raised via the duty of illustration itself. participants from an wide selection of backgrounds--urban making plans, philosophy, sociology, folklore reports, cultural experiences and architecture--reflect at the building of either the true and the artificial urban, the photographs, metaphors and discourses during which the modern urban is represented, and the texts which either mediate our event of, in addition to give a contribution to generating, town of the longer term.
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Extra info for Re-Presenting the City: Ethnicity, Capital and Culture in the Twenty-First Century Metropolis
By the 1990s, it is understood that making a place for art in the city goes along with establishing a place identity for the city as a whole. No matter how restricted the definition of art that is implied, or how few artists are included, or how little the benefits extend to other social groups outside certain segments of the middle class, the visibility and viability of a city's symbolic economy plays an important role in the creation of place. 7 This is especially important for global cities, those large metropolitan centers where the major share of world financial trade is concentrated.
Second, an examination of the conditions that may be contributing directly to the demand for informal production and distribution indicates several source~. One of these is competitive pressures in certain industries, notably apparel, to reduce labor costs given massive competition from lowwage Third World countries. Informal work in this instance represents an acute example of exploitation. The fashion industry needs to have producers in close vicinity for many of its items; given high land prices, informal production operations are one answer for the fashion industry in New York, London, Paris and even Tokyo.
Spatial dispersion of production, in some cases internationally, has stimulated growth of centralized service nodes for its Saskia Sassen 31 management and regulation, and telecommunications advances have facilitated both dispersal and centralized servicing. 2. Production Sites and Marketplaces for Global Capital Centralized control and management over a geographically dispersed array of plants, offices and service outlets does not come about inevitably as part of a 'world system'. It requires the development of a vast range of highly specialized services and top-level management and control functions.
Re-Presenting the City: Ethnicity, Capital and Culture in the Twenty-First Century Metropolis by Anthony D. King